Line 6 POD

Line 6 POD

Line 6 POD 2.0

By Nata Sanit

Line 6 is one of the leading manufactures for products of musical instruments such as guitars, amplifiers, affects, effects processor, recording interface, and digital wireless systems. Line 6 is headquartered in Calabasas California, in 1996 Line 6 launched the patented technology with the world’s first modeling amplifiers digital guitar that is 212 AxSys.

This product provides several features to its users is the availability of dozens of classic guitar amplifier models, as well a complete warehouse stomp boxes and affects.

After that, a year later since the launch of the first patented product, Line 6 launched the next revolution tone guitarist who is know by the name of the Line 6 POD is a device desktop, created for solving various problems experienced by many guitar players that are recording a guitar tone with excellent quality. POD in the production and grouped into several types:

Mobile : Pocket POD

Desktop : POD HD, POD X3, POD 2.0

Floor : Floor POD Plus, POD HD300, POD HD400, POD HD500

Rack : POD X3 Pro

One the product Line 6 POD is pretty much interested by the guitar player is the Line 6 POD 2.0.

The Advantage :

benefits you get from the Line 6 POD 2.0 is has a small size in a special design as a desktop model, so easy to carry wherever you are. With affordable prices have a Line 6 POD 2.0 you’ve got a lot of sound effects for your electric guitar, this tool is suitable for recording on a small scale is perfect for home studio support, very supportive for those of you who have limited funds but need a very good quality.

Some things to note for you are a beginner who wants a guitar with a variety of sound effects, but have limited funds. Where you really need right now, for the sake of recording, as well as the means to exercise at school and in your home.

The effect of this portable, can be said to be cheap, because different from other models of its effects pedals, which for one type of sound effects only be provided in one unit of effect pedals, so if you want to add an electric guitar sound variations you have, you should buy its other effects pedals in accordance with the type of sound effects like what you want to have.

After having some effects pedals, then you have to combine it with others by doing a parallel installation, and you must have additional equipment including connector cable for voice, and power supply are connected to each unit of effect pedals.

Where the equipment is all you should have in order to make all these effects can be used, so for this you will need a lot less money or even need a lot of funds, all depending on how many effects pedals that you combine.

More and more effects pedals you have, of course, will need a place to put this effect to be more easy to move anywhere when you play, and allows you to when you want to play.

You no longer need to make the circuit and setting the location of the position from scratch for each unit of each effect, because all the effects pedal can be well structured.

And certainly, if it has a goal to make simple things will require additional equipment, where o have additional equipment will require additional costs that it is certainly not small.

However, you have to remember, that a brief explanation of the various equipment like that, someday will you need and want you to have, if at the time you get to the middle to upper level, or even up to the professional level.

Certainly very different with desktop effects, where you only need one unit of effect, power supply, and two wires to connect from your guitar into effects, then forwarded to its output to an amplifier or you can also directly connect to the computer.

Has the form of a small, lightweight and simple, all simply by using a single unit desktop effects, it can make you a beginner who play like a professional.

Effects portable or can be know as the desktop model, could be a good option especially for a beginner. The use of this effect is the same thing with multi-effect, which has a database storing a wide variety of effects that can be used individually or in use by combining the effects of one another it.

Some of the features contained in this product such as :

Amp Models Based on:

’64 Fender® Deluxe Reverb®, ’59 Fender® Bassman®, ’68 Marshall® Plexi 100 watt, Marshall® JTM-45 meets BuddaTwinmaster, ’60 Tweed Fender® Champ®, BuddaTwinmaster head, ’65 Blackface Fender® Twin Reverb®, ’60 Vox® AC 15, ’60 Vox® AC 30 non-Top Boost, ’85 Mesa/Boogie® Mark IIc+ Clean Channel, ’85 Mesa/Boogie® Mark IIc+ Drive Channel, Dumble® Overdrive Special Clean Channel, ’95 Mesa/Boogie® Dual Rectifier® Head, ’89 Soldano SLO Super Lead Overdrive, Dumble® Overdrive Special Drive Channel, 1987 Roland® JC-120 Jazz Chorus, Line 6® Insane.

Cabinet Models based on:

1960 Fender® Tweed Champ®, 1952 Fender® Tweed Deluxe Reverb®, 1960 Vox® AC-15, 1964 Fender® Deluxe Reverb®, 1965 Fender® Blackface Twin Reverb®, 1967 Vox® AC-30, 1995 Matchless Chieftain, 1959 Fender® Bassman®, 1996 Marshall® with Vintage 30s, 1978 Marshall® with stock 70s, 1968 Marshall® Basketweave with Greenbacks, Line 6® 4×12, Line 6® 1×12, Line 6® 2×12, Line 6® 4×10

and many other feature are included in the product Line 6 POD 2.0, to see more detailed info please click Line 6 POD 2.0 Desktop Recording Device For Electric Guitar